The film was released in 1993 and cost roughly $14 million to produce. It grossed over $93 million domestically, making it a box office success. While the movie has been scrutinized for its questionable message of Christianity’s domination of Christmas, many critics have praised the story as being timelessly appealing because of its themes on friendship and an individual’s self-worth.
“The Nightmare Before Christmas: The Ultimate Halloween Movie” is a film that was released in 1993. It tells the story of what happens when a young boy named Jack Skellington, who has been ostracized from society for being different, stumbles upon Christmastime during his adventures to find love and acceptance. Read more in detail here: is nightmare before christmas a halloween or christmas movie reddit.
The Nightmare Before Christmas: Halloween’s Ultimate Film
One of my favorite holiday films is The Nightmare Before Christmas, which I consider essential watching in October. Despite its cult reputation and a deluge of yearly products, I don’t remember hearing anything about the film’s technical components or why it’s so popular. This seems to be the case with many Christmas films; we watch them every year but don’t really discuss why. I don’t take a movie’s quality for granted, and finding and deconstructing what I like about it is a big part of the excitement for me. I haven’t had much time to watch Halloween movies (or do much else) this year, and despite my fondness for it, I’ve never truly gone deep into The Nightmare Before Christmas, so now is the time. Let’s have a look at what we’ve got.
The legend of Jack Skellington, the Pumpkin King, is well-known. Jack is the most well-known figure in Halloween Town, known for his terrifying shocks and eerie displays. Jack has a hidden admirer as well, but he wants more from life. Jack is fascinated by the idea that there is more to life outside of Halloween Town, and that he must discover it. When Jack leaves his house, he discovers a tree-shaped entrance that houses his new interest.
The Nightmare Before Christmas departs significantly from the bulk of animated films of the period in this regard. Most recent Disney films featured an inquisitive young hero or heroine who desired more from life and embarked on an adventure to a strange new location. However, such films depicted curiosity and determination as good qualities to strive for. For their efforts, the heroes were frequently rewarded with genuine love or greater freedom. Jack’s desire and the deeds that follow are hardly heroic. Jack recklessly endangers the lives of his buddies and Santa Claus in his quest to bring Christmas to Halloween Town. He doesn’t comprehend Christmas, and neither do the residents of Halloween Town. Jack’s Christmas takeover is not only risky and short-sighted, but it also serves no purpose. What was the purpose of it? The song “Jack’s Obsession” vividly depicts Jack’s arrogance. Jack’s motivation isn’t curiosity; it’s hubris, since he wants to show that he can control Christmas as well as Halloween. “And there’s no reason I can think of why I couldn’t manage Christmas time/I’m sure I could!/And that’s precisely what I’ll do!” Because of his existential restlessness, he kidnaps Santa Claus, appropriates his holiday, and spoils it for the children who are expecting him. He also hires Lock, Shock, and Barrel, a.k.a. Boogie’s Boys, to capture and transport Santa. He warns them not to include Oogie Boogie, but how could he expect them to listen? They’re swindlers who work for the Boogeyman himself.
I’m not claiming that this was a conscious decision to set itself apart from other animated films at the time. However, that would be intriguing. Tim Burton began his career as an animator at Disney, where he worked on films such as The Fox and the Hound and The Black Cauldron. In lieu of a more classic, Sleeping Beauty/The Sword in the Stone style, his drawings for the latter were mostly rejected. For the most part, Burton’s designs were better and undoubtedly more original, but his frightening monsters clashed with the Disney brand. After 8 years, the studio refused to be identified with The Nightmare Before Christmas, secretly releasing it under the Touchstone label to middling box office results and positive reviews. I’ve always thought it amusing that Burton didn’t direct The Nightmare Before Christmas, perhaps the most Burton-esque film ever created. The film is usually labeled as “Tim Burton’s The Nightmare Before Christmas” since he developed the characters and the tale is based on a poem he wrote. However, Burton was working on Batman Returns at the time and was also a producer on Nightmare. Henry Selick, a former Disney animator who went on to make James and the Giant Peach and Coraline, directed the picture. This isn’t to suggest that Nightmare isn’t Burton’s baby; rather, I believe that many people (including myself) overlook the collaborative nature of filmmaking. It takes a team to bring one person’s aesthetic sensibility and ideas to life, even when they are on exhibit.
The acting in The Nightmare Before Christmas is sometimes overlooked in discussions, yet it is a distinguishing feature that makes the film succeed. Sally, the female heroine, and Shock, Oogie Boogie’s female henchman, are both voiced by Catherine O’Hara. O’Hara has been in films such as Home Alone and Beetlejuice, and most recently in the Netflix series Schitt’s Creek. She’s fantastic as Sally, bringing sensitivity and charm to a rather straightforward role. Her acting as Shock is as impressive, and this cunning troublemaker is a far cry from Sally. Since then, O’Hara has had a number of additional voice acting parts, notably in Burton’s Frankenweenie (2012.) Jack Skellington’s voice is provided by two separate actors: Jack’s speech is delivered by Chris Sarandon, but composer Danny Elfman supplies his singing voice. The changeover is smooth, resulting in a flawless performance from two distinct guys. Sarandon is most known for his roles as Prince Humperdinck in The Princess Bride and Jerry in Fright Night, as well as his voice work in the English version of Nausicaä of the Valley of the Wind as Kurotowa. Elfman was already a well-known film composer at this time, having composed Tim Burton’s feature directorial debut, Pee-Big wee’s Adventure, among other films. Elfman also provides the voices for Barrel and other minor characters. The town’s two-faced Mayor is played by Glenn Shadix (Beetlejuice, Heathers). The Mayor is a cowardly, nervous figurehead who looks on Jack for morale boosts and major decisions in Halloween Town. Lock is played by Paul Reubens (Pee-Big wee’s Adventure). In what has become the iconic Halloween film, Edward Ivory portrays Santa Claus, a thankless job. However, he does a good job of portraying the role, taking him seriously and delivering his lines with passion. He also gives the opening narration for the film. As Oogie Boogie, Ken Page dominates the show. Page is more of a stage performer than a movie star, despite his appearances in various films and television series. He portrayed Old Deuteronomy in the original Broadway production of Cats and voiced King Gator in All Dogs Go to Heaven. The most entertaining of all the characters, Oogie Boogie is a genuine showman and dishonest gambler.
In a film rich with creativity, the moments in Oogie’s lair are also some of the most artistically striking. The ghosts and animals that populate Halloween Town come to life thanks to meticulous puppetry and inventive prop work. There’s a lot going on in the background of every scene. Take a peek at Sally’s expression while Jack mulls over what could be lacking from “(his) Christmas.” Her complicated face shifts many times when it seems that he is about to get her point, but instead rambles on. Stop-motion animation is one of my favorite forms of animation, and I wish it was utilized more often. There’s something satisfying about knowing that everything you see on TV is genuine and has been painstakingly made and organized by hand. The fact that the film’s exquisite detail was accomplished in this manner only adds to the wonders of lighting, staging, and visual effects. Disney planned to make a computer-animated sequel to the picture at one time, seemingly no longer embarrassed of it after recognizing its commercial and cultural effect. Tim Burton, thankfully, put a stop to it.
And it would be a travesty to discuss this film without addressing what most people remember about it: the music. “This is Halloween,” the opening tune that properly introduces Jack and sets the tone for what follows, has to be the film’s most memorable piece of music. It’s constantly hummable and covers a lot of territory in a short amount of time. This moment is also one of the film’s aesthetic highlights; I adore how it pans over the town’s numerous creatures and surroundings. “Jack’s Lament” begins with Jack gloating about his successes and abilities, but it soon becomes clear that he is dissatisfied with his life, as the title suggests. As Jack finds his new interest, “What’s This?” masterfully captures the sight and feel of Christmas. Every song either advances the plot or delves into the motivations of a character, which is essential in a film that is just 80 minutes long. There isn’t a single picture, line of conversation, or note of music that isn’t used. “Sally’s Song,” a lovesick song about her affections for Jack and anxieties about Christmas, and “Oogie Boogie’s Song” are two of my favorites. This scene is unlike anything else in the film, both visually and musically. I’ve always heard that villains in musicals get the greatest tunes, but I’m not sure I agree with that as a general rule. However, it is unmistakably true in Tim Burton’s The Nightmare Before Christmas.
Despite all of the technological expertise and creative passion on show, it is The Nightmare Before Christmas’ portrayal of Christmas and Halloween that really closes the deal. This is a straightforward picture. It follows the same premise as the original Rankin/Bass Christmas specials. This is a town full of Halloween monsters where true love is as simple as it gets in any fairy tale. Every other important character gets into a lot of difficulty because of Jack (and himself). All goes good, and practically everyone gets what they desire, since he comes to his senses, confronts Oogie Boogie, and frees Santa and Sally. Dr. Finklestein, Sally’s creator, is a lonely old man who succeeds in creating a girlfriend for himself when Sally goes away. There’s a lot to unpack here, but this isn’t the kind of film to do so. What’s more, do you know what? That’s fantastic. This film exudes the spirit and emotion of Halloween, and it establishes the tone and setting straight away. Because it isn’t the main subject of the film, people tend to overlook how wonderfully it depicts Christmas Town and Santa Claus. “And in my bones, I feel the warmth that’s emanating from within,” Jack sings, and the audience can feel it as well. Christmas Town’s melodic, visual, and tonal shifts are flawless. It feels like Christmas, but it’s not a gimmick or an odd turn at all. While Jack’s actions are rash, self-centered, and arrogant, his attraction to Christmas Town is understandable. Heck, just looking at the house makes me want to move in. Despite the fact that Lock, Shock, and Barrel ridicule Santa and Oogie Boogie insults him, the film honors him. He’s one of the few people with magical abilities, and he’s the one who saves Christmas once Jack makes the proper decision. Santa, aghast at Jack’s rashness, comments that Sally is “the only one who makes any sense around here,” and he acts as a mirror for the audience. Jack eventually realizes how Sally feels after hearing Santa’s comments, and that the sentiment is reciprocal.
There’s a lot to like about The Nightmare Before Christmas, and I hope I’ve done it right in describing it as a timeless Halloween classic. Never before has such a skilled and dedicated collection of people come together to create a film with such a clear understanding of what people enjoy about the holidays. When the leaves change colors, this is precisely the type of movie I want to see, and there are few that tickle that need as well as The Nightmare Before Christmas. Have you had a favorite Halloween film? Please let us know in the comments section below, and enjoy a safe and scary Halloween!
The “is the nightmare before christmas a halloween movie on netflix” is a question that has been asked many times. The answer to this question is no, so don’t worry.
Frequently Asked Questions
Will there be a Nightmare Before Christmas 2 movie?
A: Yes, there is a new trailer for the upcoming Nightmare Before Christmas 2 movie. It was released on December 6th, 2018 and can be seen below.
What is Sally made of?
A: Sally is made of glass.
Who is the voice of Jack Skeleton?
A: The voice of Jack Skeleton is unknown, but the most likely answer would be that its just a random person. It could also be Tim Burton himself or Chris Sarandon who voiced him in the original 1993 movie The Nightmare Before Christmas
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