Kevin Feige Explains Why Marvel Brings In Smaller Filmmakers – In a recent interview with Collider, the president of Marvel Studios Kevin Feige was asked why he thinks Marvel is so successful at hiring lesser known directors. In the past, it’s brought on filmmakers like James Gunn and the Russo Brothers, who were rising stars but were still under the radar compared to say, Zack Snyder or Joss Whedon.

Kevin Feige, President of Marvel Studios, has become the face of the comic book movie industry. He’s the guy who went from working in the independent film industry to being the man in charge of the most popular comic book franchise in the world. If there’s one thing that’s interesting about Feige, it’s the way Marvel Studios has gone about making their films. Unlike Warner Bros.’ DC franchise, Marvel has favored hiring smaller, lesser-known directors to helm their films. Some have been more successful than others, but the formula has yielded some very good films.

The producer is excited about the unique angles independent filmmakers can bring to the table.

Chloe Zhao made history by becoming the first woman of color to win the Oscar for Best Director. Luckily for Marvel Studios president Kevin Feige, she has a movie made for her this year – and you may have already heard about it. The Eternals, originally scheduled for a November 2020 release, was delayed a year due to the COVID-19 pandemic, which turned out to be a boon for Marvel.

Feige joked that the timing was fortuitous, and that the delay of The Eternal allowed Zhao to finish her other project Nomads, which she had originally planned to finish after her MCU debut. If things had gone well, Marvel wouldn’t have been able to take advantage of Zhao’s Oscar win, but now they have an Oscar-winning director.

Well, I’ll be joking. And I’m sure you know this part: Initially, she planned to put Nomad Country on hold until The Eternal was finished and published, and then continue working on it. Due to the closure of COVID, she decided to grab her laptop and finish the movie she was making! And yes, my joke is that you let filmmakers finish their passion projects when you have time off for your massive Marvel project, and then suddenly they can make history at the Oscars. Knock on the wood.

Feige talked about a lot of things, but he gave his own interesting take on why studios lure smaller, lesser-known directors into bigger projects. There has long been speculation on the internet that this could happen to ensure that Marvel keeps control of the overall vision, and there has also been talk about how much the director can keep his or her own voice in the MCU film. In a brief moment in the interview (which also featured Zhao’s side), Zhao even hinted that the vision wasn’t really his. Feige’s story, however, should allay at least some of those fears.

Honestly, the real answer is an extension of what we’ve learned from the different directors we’ve used. When you bring people together with unique perspectives, regardless of the films they’ve made in the past, and you empower them, surround them with great artists and techniques that can bring the show, deliver the visual elements that a Marvel film needs, they can take you places you’ve never been before. And I think you’ve seen that with all the directors we’ve worked with, and especially the directors who have done smaller, more personal things before agreeing to be in the MCU.

I’ve been at Marvel for over 20 years. We just want to keep it going so we can evolve it, change it, develop it and do things we’ve never done before. And that’s why so many directors love Chloe. And not just for Marvel, but for the business world – both the business of movies and the business of blockbusters without the quotation marks.

That’s a good way to look at it, even if it doesn’t take away from the criticism of the Marvel movies that comes with it. And yet, there were also some unique voices from the Marvel Cinematic Universe in the crowd. James Gunn, with his Guardians of the Galaxy films, and Ryan Coogler, with Black Panther, are perhaps the best examples of a major studio partnering with independent filmmakers, which is not a bad thing for either party.

The Eternals comes out later this year on the 5th. November 2021, published.

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