You’ll tremble… You’ll tremble… They’ll be screaming with laughter!

Abbott and Costello Meet the Invisible Man is a 1951 science fiction comedy about two idiot private detectives and a boxer accused of murder who, unbeknownst to the duo, becomes invisible to clear his name.

Directed by Charles Lamont to a screenplay by Robert Lees, Frederick E. Rinaldo and John Grant, based on a story by Hugh Vedlock Jr. and Howard Snyder and loosely based on H.G. Wells’ book, Invisible Man.

The stars of the world film production are Bud Abbott, Lou Costello, Nancy Guild, Arthur Franz, Adele Juergens and Sheldon Leonard. Produced by Howard Christie.

The special invisibility effects were created by Stanley Horsley, son of film pioneer David Horsley. He also directed the special effects for Invisible Man Returns, Invisible Woman and Invisible Agent.

Exams [click on the links for more information] :

Abbott and Costello Meet the Invisible Man is a change from Bud and Lou, with more emphasis on physical humor and less on the duo’s patented verbal skirmishes (à la Who’s on First?). And even if some incidents missed the mark, there are always one or two inspired routines in the movie…. 2,500 Film Challenge

A series of gags and hilarious comics are accentuated by the finale in the boxing ring, where Lou, aided by an invisible Franz, shoots a heroic boxer. A clever special gag capsule closure effect surrounds this charming A&C vehicle. AllMovie

Unfortunately, the result does not live up to the comic possibilities that immediately come to mind. The first scene where the psychologist tries to analyze Lou Costello is hilarious, and the next two scenes with Costello, the invisible man, and boxing are even funnier. But what lies between is unusually tame. Not bad – certainly very disturbing – but not Abbott and Costello’s best performance. Film reviews at a glance

Like its predecessors, it tries to be unsettling and atmospheric, taking Invisible Man as seriously as this kind of entertainment allows, while leaving the rest of the work to Abbott and Costello, who have the time to make their own version of the film, even when it comes to the complexity of its visual tricks.

Fans of Bud and Lou (who play the characters by their first and last names) will find plenty to enjoy here. Uni horror fans might be disappointed by the low priority given to horror, but if you stick with it, you’ll probably have a great time. Abbott and Costello Meet the Invisible Man (1951) is very funny despite its lack of gothic features. Cool cinema @ss

Meet the Invisible Man, unlike the others, fits better into the canon, even as a sports comedy. Seeing Costello swinging in the ring with the local man is nothing exceptional given the fast-paced action of Revenge of Invisible Man. Both share the implausibility and push the concept to the limit, if not beyond. Abbott and Costello is good too. That’s why they were stars.

…He has a clear story, even though the concept of an invisible man trying to prove his innocence has been used before. Still, the script gives the viewer something to follow when the gags hit the ground; it also pushes the story in different directions so we don’t have a succession of gags from Lou Scare…. Fantastic music and tramp

Bud and Lou reuse some of their routines as usual, but also get lots of new material to keep the invisible customer laughing. And the boxing match in the third act is full of great physical comedy. Arthur Franz clearly hasn’t been on the big screen that long, but he delivers a very good performance, both physically and vocally. Because it’s a male number.

Although the logic seems completely off at times, it never really matters, the comedy keeps everything under control and works perfectly. The film brought them big box office revenue and gave them a chance to showcase their peers in other films, as well as a much-needed chance to establish themselves on their own terms. It’s horror time.

Abbott and Costello Meet the Invisible Man, directed by Charles Lamont, is a hilarious comedy that provides laughs while maintaining an interesting aspect of detective fiction. It’s a good Invisible Man movie and a good Abbott and Costello movie. Life between the two executives

Arthur Franz is hilarious in the role of the invisible boxer and his interactions with the main characters are bright spots, but unfortunately he is often pushed aside to make room for other signatures. Ultimately, this movie will probably leave monster fans alone, while those who like old-fashioned filler or Abbott and Costello’s songs should be entertained. Mark Fusion.

…A strange mix that seems to be composed of Abbott and Costello on one side and a more interesting story about an invisible man on the other. What makes the film look more and more like the usual numerology is that both are engaged in excellent invisibility effects. Here we see the main character getting dressed and undressed, eating spaghetti and shuffling cards. Moria

Lou in the boxing ring (with the help of his invisible competitor) is hilarious. The invisible effects are also interesting. In 1951, they are far from what was published in Void Man, but they are still very capable. Funny as Frankenstein (and perhaps only slightly imperfect since there is only one monster), you should be interested in William Frawley (aka Fred Mertz) as a comic detective. I need coffee.

Costello engages in physical comedy and pretends to be good at it, and he does it brilliantly. In the meantime, Abbott is also very funny as a greedy, self-centered profiteer who would probably sell his own mother for a dollar…. But he’s a charming rascal, and you can’t help but love him, even if you think he’s a jerk. It’s not Abbott and Costello’s most solid work, but it has a lot going for it…. Shades of grey

The Invisible Man stunt is built on physical gags and hapless personality humor, which was Lou and Buds’ odd meat and potatoes, and the effects are also surprisingly clean (though some shots from previous Invisible Man episodes have been removed). All in all, it’s a surprisingly strong final production for Invisible. Spoiler alert

The presenters are smart and engaging. The photography is up to the task and the optics are some of the best all-around monsters we’ve ever had. It’s superficial and just a tip of the hat, but highly entertaining and aesthetically memorable. Tales of Terror

He’s the best on the team, this is the… Series and one of the funniest. The special effects are top-notch. The boxing scenes (especially the punching ball scene), the spaghetti dinner and the final scene where Lou Costello becomes invisible are some of the highlights. Vacuum for video

The actors and characters:

Bud Abbott… Bud Alexander
Lou Costello… Lou Francis
Nancy Guild… Helen Gray 19 Arthur Franz… Tommy Nelson
Adele Juergens… Boots Marsden
Sheldon Leonard… Morgan 19 William Frawley… Detective Roberts
Gavin Muir… Dr Philip Gray
Sam Balter…
Radio announcer John Dayheim… Rocky Hanlon (as John Day)
Walter F. Eppler… Professor Dugan (no credit).

Shooting Locations:

Universal Studios – 100 Universal City Plaza, Universal City, California

Recording data :

From the 3rd. From October to the 6th. November 1950

Technical details :

82 minutes
black and white ratio
aspect ratio : 1.37 : 1
Audio : Mono (Western electric recording)

Fun facts:

The title on the engraving is Bud Abbott and Lou Costello meet the invisible man.

The last names of the characters Bud Abbott and Lou Costello, Bud Alexander and Lou Francis, are in fact their real second names.

Pictured in the laboratory of Dr. Gray Griffin, the inventor of the invisibility serum, is Claude Rains, who played the title role in the film The Invisible Man (1933).



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